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Invisible Women : The Re-presentation of African-American Women in the Photography of Lorna Simpson and Carrie Mae Weems
MATERIAL IMMEDIATE: Lawrence Weiner, Anticonceptualist
Mary Cassatt, Impressionism, & La Jeune Fille: Defining 19th-Century “Girlhood”
NEOCLASTICS: Defining Architectures of Flux
Norman Foster and Water Conservation: A Comprehensive Analysis of Sustainable Design
Notions of Method: Text and Photograph in Methods of Connoisseurship
Of Screens and Stones: Technological Innovations in Lithography and Screenprinting developed in the New York City Graphic Arts Workshop Under the Works Progress Administration
Perception, Expectation, and Meaning in Barnett Newman's "Stations of the Cross" Series
Postmodern Topography: A New Reading of Ed Ruscha's Twentysix Gasoline Stations and Every Building on the Sunset Strip
Progressive Arrangements: Citizenship and the Modernist Museum at the Barnes Foundation
Reconsidering the Dante Series: Botticelli's Artistic Process as a Deconstruction of Vasarian Linearity
Reconstructing Sites, Reclaiming Narratives
Sacrality & Modernity At Villa Giustiniani-Cambiaso
Strategic Ambiguity in Avant-Garde Painting
The 2015 Galleria Vittorio Emanuele II Restoration: Expo Milano's Legacy and the Revival of Civic Identity
The Bower of the Pre-Raphaelites: Plant Life and the Search for Meaning in the Art of Millais, Rossetti, and Morris
The Fabric of the Bel Composto: Bernini's Draperies and the Redefinition of the Arts
The Manipulation of Sacred Places: The Role of Jerusalem's Temple Mount in the Construction of Identity
The Nordic Peasant Vision
The Vessel at Hudson Yards

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