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"Fuga hacia delante": El arte y la supervivencia en la obra de César Aira
"Gateway to the World": Hamburg and the Global German Empire, 1881-1914
"Get It How You Live": Locating Affect, Social Bonding, and Resiliency in the Music of the TBC Brass Band of New Orleans, Louisiana
"Girl, Your Wounds Are Beautiful": Beauty, Suffering and Identity in the Ancient Greek Novel
"Going Glocal": Toward a New Social Movement Theory
"Hanker[ing] Backwards"
"Hell is Other People": Exploring the Audience-Actor Relationship in Hell House Performances
"Helping Them Help Themselves": Where Development Meets Tourism in Bali
"Her old, old language of words that are not words": Haunting, Trauma, and History in the Works of Jean Rhys
"Hip and Holy": Pleasure and the Popular in American Evangelicalism
"How am I pursu'd": Beyond Consent in Richardson's Clarissa
"I Dance; Therefore, I Am": Dance in a Developing American Culture
"I have to carry them both:" Negotiating the Global and the Local in Mayan Midwifery
"I'd Better Damn Well Be There for the Takeoffs": Reinvigorating U.S. Public Diplomacy in the Hashemite Kingdom of Jordan in the Wake of the Arab Spring
"I'd Rather Be Broke and Happy than Miserable and Rich": The Life and Music of Allan Holdsworth
"Illegals": An Examination of U.S. Immigration Policy and Public Discourses Regarding Mexican Migration into the United States from 1942-1964
"In This Last Tempest": Narratives of Dying Well on the English Stage from the Moralities to Shakespeare
"It Matters Who You Sit Next To": Perspectives on Integration Policy in Middletown, CT
"Jämställdhet": Analyzing the Analysts and Mastering the Swedish Gender Discourse
"La lengua es la patria"

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