Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society.
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society.
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society.
The questionnaire, sent to synagogues where cantors on the project list worked, was filled out by an unidentified person there. The congregation's name has been removed., Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society.
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society.
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
Part of the “History of the American Cantorate” project, which was designed and executed by Mark Slobin in 1984-86 under a grant from the Natonal Endowment for the Humanities awarded to the Cantors Assembly, a professional society., Access to archival quality sound files is restricted. For permission to obtain copies of these, please contact Mark Slobin (mslobin [at] wesleyan [dot] edu).
