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A We Dis?! : The Contestation of Jamaica's Post-Independence Identity in the Festival Song Competition
Differentiating Roles of Improvisational and Non-Improvisational Music Training in Resting State Functional Connectivity
From Performance to Perception: A Critical Investigation of Emotional Expression in Music
Realizations
Sounding Original: Nature, Indigeneity, and Globalization in Mongolia (and Southern Germany)
The Creation Myth
Toward Expansion
Twentieth-Century Compositional Resources
When the Gyil Speaks: Music, Emotions, and Performance in Dagaaba Funerary Rituals