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"Hell is Other People": Exploring the Audience-Actor Relationship in Hell House Performances
"In This Last Tempest": Narratives of Dying Well on the English Stage from the Moralities to Shakespeare
"Like No One I Ever Saw Before": Fun Home as Broadway's Lesbian Interruption
"Something for the Boys": An Analysis of the Women of the USO Camp Shows, Inc. and their Performed Gender
"Special Proportions of Height and Depth:" Antonin Artaud and the Search for a Grammar of Space
"Watch Me Vanish": Dramatizing Depression in Contemporary Playwriting
"What is a piano that does not sound?": The Women Playwrights of Teatro Abierto
(At)tendance: Exploring a Practice of Presence and Duration through Urban Food Communities and Theater
A (Wo)man Apart: Charles Ludlam's Approach to Drag Performance
A Paradise on Earth: Exploring the Actor-Spectator Relationship in Genroku Era Kabuki Performances
Adaptation to the Musical Theater Form
America's Madwomen: Jewish Female Comedians in the 20th Century
Another Fucking High School Musical: An Exploration of Adolescent Female Archetypes in Contemporary, Commercial Musical Theater
Aporia: Fatal Passion, the Sojourn to Infinitude, and the Historical Fracture of Aristotelian Convention in Jean Racine's Phèdre
Bill & Stephanie & The Dramaturgy of Listening: Understanding Theatrical Aurality Through Annie Baker's Plays
Blind Faith and The Complexity in Being Faithful
Confronting Evil on the Stage: The Immoral Villain as a Moral Figure
Disrupting the Social Script: The Unwelcome Transgressions of Avant-Garde Performance
Echoes of a Timeless Lament: Euripides' Trojan Women as a War Play
Freak, Out! : Disability Representation in Theatre

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