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Making Music by Reading Outloud
Splinters, Ashes, Dirt
A Journey Towards Standardization
Hōgaku Pedagogy
Of Blacke Cholor, without Boyling
Culture Industry 2020
Keeping “Score”
Bringing Historical Instruments Into Modern Times
“I’m The One Who Decides Who I Am”
Round Table
“supliant d’un loial cueur”
Women and Power
COPVRIGHTS
The Music of Caetano Veloso in 1967-1968
The Creation Myth
Hearing Voices: Interpreting Éliane Radigue, Listening to Dika Newlin, Tuning Judith Berkson
Canon | Grid | Composition
(The Experience of) Music as Autonomous Partial Object
#BrownGirlTakeover: Representing Queer Desi Female Artists in Virtual Spaces

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