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Making Music by Reading Outloud
Splinters, Ashes, Dirt
A Journey Towards Standardization
Hōgaku Pedagogy
Of Blacke Cholor, without Boyling
Hearing Voices: Interpreting Éliane Radigue, Listening to Dika Newlin, Tuning Judith Berkson
Canon | Grid | Composition
(The Experience of) Music as Autonomous Partial Object
#BrownGirlTakeover: Representing Queer Desi Female Artists in Virtual Spaces
"Get It How You Live": Locating Affect, Social Bonding, and Resiliency in the Music of the TBC Brass Band of New Orleans, Louisiana
Pain, Pleasure, and Peonies: Somatic Composition
Sex Metal Barbies: Feminism and Frontwomen in the Alternative Metal Scene
Sounding Original: Nature, Indigeneity, and Globalization in Mongolia (and Southern Germany)
When the Gyil Speaks: Music, Emotions, and Performance in Dagaaba Funerary Rituals
New World, New Music: Creative Music Communities in New Haven and Woodstock in the 1970s and Their Legacies
Localization of Islam and its Engagement with Women’s Practice of Acehnese Dance and Music in Three Indonesian Cities
The Social and Musical Life of Tombak and Tombak Players in Iran
ttttttiiiiiimmmmmmeeeee and ssssspppppaaaaaccccceeeee: Music as an Act of Measurement
Performing Zimbabwean Marimba: Festivals, Competitions, and Cultural Exchanges from Zimbabwe to the Americas and South Africa
S P A C E

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