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“I’m The One Who Decides Who I Am”
Keeping “Score”
Bringing Historical Instruments Into Modern Times
Culture Industry 2020
“supliant d’un loial cueur”
COPVRIGHTS
The Creation Myth
Women and Power
Round Table
The Music of Caetano Veloso in 1967-1968
Expanding the Self: Complicating Creativity with Alternative Approaches to Musical Composition
Modernist Aesthetics and Postmodern Opera
Who Is Listening?: Everyday Performance of Music on Hold
A Rose by Any Other Name: Am I an Afrofuturist?
Point A to Point B and All that Lies Between: A Musical Analysis of the Transitional Passages in Richard Wagner's Das Rheingold
Black Hands, White Palms
Back to the Garden: Pastoralism, Country Rock and Authenticity in the U.S. Counterculture, 1968-1970
No Hay Revolución Sin Canciones: The Role of Music in Modern Andean Social Movements
"A Revolution Is not a Dinner Party": Revolutionary Songs in People's Daily During Cultural Revolution China

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