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Disrupting the Social Script: The Unwelcome Transgressions of Avant-Garde Performance
The Edge Spaces: Intertwining Roles of Ritual and Performance
America's Madwomen: Jewish Female Comedians in the 20th Century
"Special Proportions of Height and Depth:" Antonin Artaud and the Search for a Grammar of Space
The Warrior-Hero on the Stage
The Phenomenal Presence of Invisible Legs: Beckett and the Actor
Presenting and Absenting Violence
Marvelous Traces in Mundane Spaces: Finding Fantasy in Theater, Film, and Television
True on the Inside: Narrative Authenticity and Community in Irish Oral Performance
A (Wo)man Apart: Charles Ludlam's Approach to Drag Performance
The Actor's Presence
"Something for the Boys": An Analysis of the Women of the USO Camp Shows, Inc. and their Performed Gender
Confronting Evil on the Stage: The Immoral Villain as a Moral Figure
The Whore in All of Us: Transgressive Female Sexuality in the Works of Lydia Thompson and the British Blondes, Mae West, and Annie Sprinkle
Aporia: Fatal Passion, the Sojourn to Infinitude, and the Historical Fracture of Aristotelian Convention in Jean Racine's Phèdre
"In This Last Tempest": Narratives of Dying Well on the English Stage from the Moralities to Shakespeare
"Hell is Other People": Exploring the Audience-Actor Relationship in Hell House Performances
A Sense of Place: wayang kulit in Bali and wayang listrik in America
Navigating Shared Space: Audience Agency and Passivity in Environmental and Immersive Theater
Adaptation to the Musical Theater Form

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