Honors Theses

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"... Nothing That Has Ever Happened Should be Regarded As Lost for History": Detroit, Walter Benjamin, and the Legacy of Architecture
"A Different Kind of Poverty": Folk Rock and Therapeutic Counterculture
"A Drop of Sun": Utopia and Ruin in a New Postcolony
"A New Era for Museums": Professionalism and Ideology in the American Association of Museums, 1906-1935
"A Revolution Is not a Dinner Party": Revolutionary Songs in People's Daily During Cultural Revolution China
"A Self to Recover, A Queen": The Subjects of Poesis in Sylvia Plath's Ariel
"A Wrinkle in Time": Growing Old, Or, A Queer Unbecoming
"Aladdin's Cave of Processed Crap"
"Allegro di Krontjong": Life and Works of Amir Pasaribu
"An Unorthodox Enemy": Posttraumatic Stress Disorder and Alcohol Use Disorder Comorbidity in a Veteran Population
"Bomb and Burn 'Em till They Quit": The Line Between Unjustifiable Civilian Deaths and Military Necessity During the Incendiary Bombing of Japan, 1945
"But You Don't Seem American!" Identities, Representations, and Influences of American Women in the English Aristocracy
"De Donde Sos?" The Impossible Union of Blackness in Argentinidad
"Doing Time" across the Centuries: Early Influences on Prison Narratives
"El Morro y la Muralla": Mapping Representations of Chinese Cuban Identity
"Empty Millenial Frenzy": American Fiction and Economic Prosperity of the 1990s
"Engendering" Environmental Policy: An Analysis of Women's Legislative Advocacy in the U.S. Congress
"Food for People, Not for Profit": Justice and the Food Movement
"Founding Mothers:" White Mothers of Biracial Children in the Multiracial Movement (1979-2000)
"From the Battle for Democracy to the Battle for Hong Kong": John Tsang and the Rise of Localism
"Fuga hacia delante": El arte y la supervivencia en la obra de César Aira
"Gateway to the World": Hamburg and the Global German Empire, 1881-1914
"Girl, Your Wounds Are Beautiful": Beauty, Suffering and Identity in the Ancient Greek Novel
"Going Glocal": Toward a New Social Movement Theory
"Hanker[ing] Backwards"
"Hell is Other People": Exploring the Audience-Actor Relationship in Hell House Performances
"Helping Them Help Themselves": Where Development Meets Tourism in Bali
"Her old, old language of words that are not words": Haunting, Trauma, and History in the Works of Jean Rhys
"Hip and Holy": Pleasure and the Popular in American Evangelicalism
"How am I pursu'd": Beyond Consent in Richardson's Clarissa

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